GALLERYS AND ARTISTS AT ARTISSIMA 2016

Artissima

Design: Tassinari/Vetta.

Participating galleries and artists 2016 November 4–6, 2016 Preview and opening: November 3 Artissima  Oval, Lingotto Fiere Turin Italy info@artissima.it www.artissima.it Artissima, Italy’s leading contemporary art fair, will return to the Oval in Turin from November 4 to 6, 2016. Renowned for its focus on the most innovative artistic research and rediscovered avant-garde, Artissima 2016 will feature seven sections—three of which curated—a renewed performance section, seven important awards, an improved fair layout, an involving programme of collectors and curators-guided tours, a new remarkable exhibition with the city’s public and private collections and a surprising parallel project at Turin Airport. Furthermore, the presence of renowned international curators—among the most important protagonist of the contemporary art world—will be even more active: a great opportunity we wish to offer to our galleries. As usual Turin will be at its best in November! With its outstanding network of museums and foundations, this year the city will host shows by Ai Wei Wei. Ed Atkins, Thomas Bayrle, Joseph Beuys, Josh Kline, Carol Rama, Wael Shawky, Rosemarie Trockel. Main Section The most representative established galleries on the international art scene 401contemporary, Berlin; Luis Adelantado, Valencia, Mexico City; Sabrina Amrani, Madrid; Rolando Anselmi, Berlin, Rome; Apalazzo, Brescia; Art Bärtschi & Cie, Geneva; Artericambi, Verona; Alfonso Artiaco, Naples; Enrico Astuni, Bologna; Piero Atchugarry, Pueblo Garzon; Aural, Alicante; Báro, Sao Paulo; Bendana | Pinel, Paris; Laurence Bernard, Geneva; Boccanera, Trento; Isabella Bortolozzi, Berlin;Thomas Brambilla, Bergamo; Brand New Gallery, Milan; Braverman, Tel Aviv; Gavin Brown’s Enterprise GBE, New York, Rome; Bugada & Cargnel, Paris; Cabinet, London; Luciana Caravello, Rio de Janeiro; Cardelli & Fontana, Sarzana, Santo Stefano Di Magra; Charim, Vienna; Chert, Berlin; Continua, San Gimignano, Beijing, Boissy-le-Châtel, Havana; Copperfield, London; Raffaella Cortese, Milan; Guido Costa Projects, Turin; Curro, Guadalajara; Ellen de Bruijne, Amsterdam; Monica De Cardenas, Milan, Zuoz, Lugano; de' Foscherari, Bologna; Tiziana Di Caro, Naples; Umberto Di Marino, Naples; Dvir, Tel Aviv, Brussels; Frittelli, Firenze; Christophe Gaillard, Paris; Rhona Hoffman, Chicago; In Arco, Turin; Antonia Jannone, Milan; Georg Kargl, Vienna; Christine König, Vienna; Eleni Koroneou, Athens; KOW, Berlin;Tomio Koyama, Tokyo; Magazzino, Rome; Norma Mangione, Turin; Primo Marella, Milan; Marso, Mexico City; Massimodeluca, Mestre-Venice; Gabrielle Maubrie, Paris; Mazzoleni, Turin, London; Mario Mazzoli,Berlin; Mendes Wood DM, Sao Paulo; Eva Meyer, Paris; mfc-michèle didier, Paris; Francesca Minini, Milan;Massimo Minini, Brescia; MLF|Marie-Laure Fleisch, Rome, Brussels; moniquemeloche, Chicago; Monitor,Rome; Franco Noero, Turin; Lorcan O'Neill, Rome; Otto, Bologna; P420, Bologna; Alberta Pane, Paris;Alberto Peola, Turin; Rafael Pérez Hernando, Madrid; Giorgio Persano, Turin; Photo&Contemporary, Turin;Francesca Pia, Zurich; Pinksummer, Genova; Podbielski Contemporary, Berlin; Gregor Podnar, Berlin;Anca Poterasu, Bucharest; Progettoarte elm, Milan; Prometeogallery, Milan, Lucca; Proyectos Monclova,Mexico City; Repetto, London; Revolver, Lima; Ribordy, Geneva; Michela Rizzo, Venice; Rizzutogallery,Palermo; Lia Rumma, Milan, Naples; Richard Saltoun, London: Aurel Scheibler, Berlin; Sfeir-Semler,Hamburg, Beirut; Smac, Stellenbosch, Cape Town, Johannesburg; Sommer, Tel Aviv; SpazioA, Pistoia;Sprovieri, London; Taik Persons, Berlin, Helsinki; Tega, Milan; Caterina Tognon, Venice; Tucci Russo, Torre Pellice; Isabelle van den Eynde, Dubai; Vistamare, Pescara; White Rainbow, London; Hubert Winter,Vienna; Jocelyn Wolff, Paris; Z2o Sara Zanin, Rome; Zak | Branicka, Berlin, Krakow; Martin Van Zomeren,Amsterdam Dialogue A new section of curated booths featuring one to three artists in dialogue 22,48m2, Paris; Samy Abraham, Paris; Alma, Riga; Amt_Project, Bratislava; Annex14, Zurich; BWA Warszawa, Warsaw; Car Drde, Bologna; Carbon 12, Dubai; Collicaligreggi, Catania; Vera Cortês, Lisbon; Ex Elettrofonica, Rome; FOLD, London; Iragui, Moscow; Laveronica, Modica; Antoine Levi, Paris; Luce, Turin;MA2Gallery, Tokyo; Ani Molnár, Budapest; Operativa, Rome; Piktogram, Warsaw; Pm8, Vigo; Gabriel Rolt,Amsterdam; Studio SALES di Norberto Ruggeri, Rome; Federica Schiavo, Rome, Milan; Semiose, Paris;The Gallery Apart, Rome; Vitrine, London, Basel; Waldburger Wouters, Brussels; Walden, Buenos Aires;Workplace, Gateshead, London New Entries Emerging galleries participating at Artissima for the first time Ab/Anbar, Tehran; Beers London, London; Between Art Lab, Shanghai, Beijing; Cavalo, Rio de Janeiro;Doppelgaenger, Bari; Dürst Britt & Mayhew, The Hague; Ermes-Ermes, Rome; F2, Madrid; Fuoricampo,Siena; Future, Berlin; Nathalie Halgand, Vienna; Loom, Milan; MadeIn, Shanghai; Madragoa, Lisbon; Daniel Marzona, Berlin; Ribot, Milan; Sketch, Bogotá; Untilthen, Saint Ouen Present Future Solo shows by 20 young artists curated by Luigi Fassi (coordinator), Anne Faucheret, Hicham Khalidi, Sohrab Mohebbi and Wim Waelput. Igshaan Adams, Blank, Cape Town; Nazgol Ansarinia, Raffaella Cortese, Milan + Green Art, Dubai; Body by Body, Chateau Shatto, Los Angeles; Iñaki Bonillas, ProjecteSD, Barcelona; Julien Creuzet, Dohyang Lee,Paris; Cécile B. Evans, Barbara Seiler, Zurich; Francesca Ferreri, Alberto Peola, Turin; Luca Frei, Barbara Wien, Berlin; Gluklya, Natalia Pershina - Yakimanskaya, AKINCI, Amsterdam; Rodrigo Hernàndez, P420,Bologna; Eric van Hove, Voice, Marrakech; Nadira Husain, PSM, Berlin; Paul Leitner, unttld, Vienna; Renato Leotta, Fonti, Naples + Madragoa, Lisbon; Pauline M'barek, Thomas Rehbein, Cologne; Agnieszka Polska,Zak | Branicka, Berlin, Krakow; Miljohn Ruperto & Ulrik Heltoft, Koenig & Clinton, New York; Kelly Schacht,Meessen De Clercq, Brussels; Beto Shwafaty, Luisa Strina, Sao Paulo; Rosha Yaghmai, Kayne Griffin Corcoran, Los Angeles Back to the Future 19 museum-quality solo shows dedicated to the rediscovery of the 1970s and ‘80s curated by Eva Fabbris (coordinator), Gary Carrion-Murayari, Krist Gruijthuijsen and Cristiano Raimondi Thomas Bang, KANT, Copenhagen; Renate Bertlmann, Richard Saltoun, London; Jay DeFeo, Frank Elbaz,Paris, Dallas; Garth Evans, Johannes Vogt, New York; Lars Fredrikson, In Situ - Fabienne Leclerc, Paris; Anna Bella Geiger, Aural, Alicante; Jef Geys, Air de Paris, Paris ; Paolo Gioli, Galleria del Cembalo, Rome; Thomas Lawson, Anthony Reynolds, London; Klaus Lutz, Rotwand, Zurich; François Morellet, Catherine Issert, Saint Paul De Vence; Sadamasa Motonaga, De Primi, Lugano; Pat O'Neill, Monitor, Rome; Gianfranco Pardi, Cortesi, Lugano, London; Michel Parmentier, Loevenbruck, Paris; Carlos Pazos, ADN, Barcelona; Patrick Saytour, Bernard Ceysson, Luxembourg, Paris, Geneva; Philippe van Snick, Tatjana Pieters, Gent;Michele Zaza, Giorgio Persano, Turin Per4m A programme of performances curated by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution (Frédérique Bergholtz and Susan Gibb) Mounira Al Solh, Sfeir-Semler, Hamburg, Beirut; Juliette Blightman, Isabella Bortolozzi, Berlin; Dina Danish,Barbara Seiler, Zurich; Tim Etchells, Vitrine, London, Basel; Dora García, Ellen de Bruijne, Amsterdam; The Mondrian Fan Club, Enrico Astuni, Bologna; Ruth Proctor, Norma Mangione, Turin; Marinella Senatore,Laveronica, Modica Art Editions Colophonarte, Belluno; Dilecta, Paris; Editalia, Rome; El Astillero, Barcelona; L'arengario S.B., Gussago;Giorgio Maffei, Turin; Danilo Montanari, Ravenna; Multipleart, Zurich For the complete list of all curators involved in juries and taking part to other projects of the fair seewww.artissima.it We look forward to welcoming you in Turin for a mesmerising experience! Artissima is a brand of Regione Piemonte, Città Metropolitana di Torino and Città di Torino. Artissima is organised by Artissima srl, a company founded in 2007 to manage the fair’s artistic and commercial relationships and is owned by Fondazione Torino Musei, established by the Città di Torino to support, manage and enhance the artistic and museum-based heritage of the city. The twenty-third edition of Artissima is being put on with the support of the brand-owning authorities, jointly with Compagnia di San Paolo, Fondazione per l’Arte Moderna e Contemporanea CRT and Camera di commercio di Torino. The event involves the collaboration of: Main partner: UniCredit Partners: illycaffè, K-Way, Lancia, Lauretana, Leica, Mutina, Owenscorp, Reda, Fondazione Sardi per l’Arte, Torino Airport | Sagat In-kind sponsors: GL Events Italia – Lingotto Fiere, FR Costruzioni, Guido Gobino, Nemo Lighting, Carloangela Official carrier: Gondrand Cultural partners: Alliance Française, Goethe Institut Media partners: La Stampa, AD, Vogue Italia Media coverage: Sky Arte HD In-kind online partner: Artsy

ARTISSIMA 2016 | WORLD MAP OF CURATORS

Artissima

Courtesy Artissima.

Artissima 2016: world map of curators 3–6 November Oval, Lingotto Fiere Turin info@artissima.it www.artissima.it Artissima is a year-round research project that involves a team of leading curators and museum directors from around the world. The quality of its exhibition programming, the avant-garde nature of the curatorial proposals, the attentive presentations and the wide-ranging geographical provenance of the artists presented all reflect the vision and invaluable contribution of these highly regarded professionals. In the year leading up to the fair, Artissima’s staff is enhanced by an extended international panel, which includes more than 40 curators who collaborate actively with the fair: on the selection committees, in the numerous prize juries, in the exhibition initiatives and in additional events such as talks and presentations. Artissima’s comprehensive curatorial team therefore contributes to the development of a dynamic, inclusive and avant-garde perspective on the art world which ensures that collectors are offered the highest quality artworks as well as an extraordinary opportunity for discovery. Thanks our contributing curators, the 20,000 square meters of the exhibition hall extend for thousands of kilometres, from Brazil to China, Colombia to Norway, North to South Africa, Poland to Lebanon, California to the Middle East. Based near Artissima: Carolyn Christov-Bakargiev, Turin, director, Castello di Rivoli Museo d’Arte Contemporanea – GAM illy Present Future Prize jury member Franz Bernardelli, Turin, independent curator Prix K-Way Per4m jury member Andrea Busto, Turin, director, MEF – Museo Ettore Fico Fondazione Ettore Fico Prize jury member Francesco Zanot, Turin, curator, Camera – Centro Italiano per la Fotografia Reda Prize jury member Based less than 500km from Turin: Daniel Baumann, Zurich, director, Kunsthalle Zürich Sardi per l’Arte Back to the Future Prize jury member Eva Fabbris, Milan, independent curator Back to the Future curator and coordinator Silvia Fanti, Bologna, co-director, Xing Prix K-Way Per4m jury member Emma Lavigne, Metz, director, Centre Pompidou – Metz / curator, Biennale de Lyon (2017) Promos Scalo Milano New Entries Prize jury member Simone Menegoi, Milan, independent curator In Mostra curator Letizia Ragaglia, Bolzano, director, Museion Fondazione Ettore Fico Prize jury member Cristiano Raimondi, Montecarlo, head of development and international projects, Nouveau Musée National de Monaco Back to the Future committee member Based less than 1,000km from Turin: Frédérique Bergholtz, Amsterdam, curator, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Per4m co-curator Tobia Bezzola, Essen, director, Museum Folkwang Reda Prize jury member Reinhard Braun, Graz, director, Camera Austria Reda Prize jury member Luigi Fassi, Graz, visual arts curator, steirischer herbst festival Present Future curator and coordinator Anne Faucheret, Vienna, research curator, Kunsthalle Wien Present Future committee member Susan Gibb, Amsterdam, curator, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Per4m co-curator Krist Gruijthuijsen, Berlin, director, KW Institute for Contemporary Art Back to the Future committee member Bart van der Heide, Amsterdam, chief curator, Stedelijk Museum illy Present Future Prize jury member Hicham Khalidi, Paris, associate curator, Fondation d’entreprise Galeries Lafayette, Lafayette Anticipation Present Future committee member Christine Macel, Paris, chief curator, Musée National d'Art moderne – Centre Pompidou / director, Venice Biennale (2017) Sardi per l’Arte Back to the Future Prize jury member Filipa Ramos, London, editor in chief, Art Agenda Prix K-Way Per4m jury member Andrea Viliani, Naples, director, MADRE Fondazione Ettore Fico Prize jury member Wim Waelput, Ghent, founding director and curator, KIOSK Present Future committee member Based less than 10,000km from Turin: Gary Carrion-Murayari, New York, curator, Kraus Family, New Museum / co-curator, New Museum Triennial (2018) Back to the Future committee member  Stefano Colicelli Cagol, Trondheim, curator, Trondheim kunstmuseum "What is Experimental?" talk curator and moderator  Ruth Estevez, Los Angeles, gallery director and curator, REDCAT Prix K-Way Per4m jury member  Tobi Maier, São Paulo, independent curator and critic "What is Experimental?" talk curator Sohrab Mohebbi, Los Angeles, writer and associate curator, REDCAT Present Future committee member Davide Quadrio, Shanghai, founder and curator Arthub "What is Experimental?" talk curator Jose Roca, Bogota, director, FLORA ars+natura Promos Scalo Milano New Entries Prize jury member Jay Sanders, New York, curator and curator of performance, Whitney Museum of American Art Sardi per l’Arte Back to the Future Prize jury member Kitty Scott, Toronto, curator of modern and contemporary art, Art Gallery of Ontario / co-curator, Liverpool Biennial (2018) Promos Scalo Milano New Entries Prize jury member Natalia Sielewicz, Warsaw, curator, Museum of Modern Art "What is Experimental?" talk curator Christine Tohme, Beirut, director, Ashkal Alwan / curator, Sharjah Biennial (2017) illy Present Future Prize jury member Artissima would like to thank all of them for the extraordinary vision they bring! Artissima is a brand of the Regione Piemonte, Città Metropolitana di Torino and Città di Torino. Mandated by the three organisations, it is connected with the Fondazione Torino Musei. The 23rd edition of Artissima is staged thanks to the support of the three bodies that own the brand name, together with the Fondazione per l’Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and the Camera di commercio di Torino. Artissima is organised by Artissima Srl, a company established in 2008 to manage the fair’s artistic and commercial relations. The fair involves the collaboration of: Main partner: UniCredit Partners: illycaffè, K-Way, Lancia, Lauretana, Leica, Reda, Fondazione Sardi per l'Arte, Promos Scalo Milano In-kind sponsors: GL Events Italia – Lingotto Fiere, FR Costruzioni, Guido Gobino, Sagat Official carrier: Gondrand Media partners: La Stampa, AD, Vogue Italia In-kind online partner: Artsy

ARTISSIMA 2016 |

Visual identity by Tassinari/Vetta (Leonardo Sonnoli with Irene Bacchi).

November 3–6

Oval, Lingotto Fiere
Turin

info@artissima.it
www.artissima.it

Innovative and experimental, Artissima focuses on young and avant-garde artists, curated booths and special projects. The high quality of the fair, which is guaranteed year after year by a growing number of international curators who contribute to the research and selection of the artists on show, attracts sophisticated collectors from around the world and an attentive specialist public. 

Artissima 2016 revolves around the commitment to promote artistic and curatorial experimentation, and the exploration of the notion of performance. The latter has inspired the performative exhibition project In Mostra and guides the public through the fair’s sections, stimulating an active dialogue between the visitor’s eye and body and the art object. 

An active curatorial research platform
Backed by the success of the previous years, in 2016 the curated sections Back to the Future, Present Future and Per4m are enriched by new inspirations and visions. Back to the Future continues to develop its curatorial research on the most relevant yet underestimated avant-garde figures, and this year concentrates on works dated between 1970 and 1989. This time-tested formula has turned into one of the most stimulating platform for rediscovery and market success. Similarly, Present Future has affirmed its role as a hotbed of emerging talents, expanding geographically thanks to the field research conducted by a team of young curators. The vision of the curators in this section has always proven to be groundbreaking, as evidenced by the future career trajectories of the featured artists.  

An extended stage for performance
Per4m, the performance section of the fair inaugurated in 2014, has evolved into an unprecedented project curated by the Dutch collective If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. This new programme—coherent, innovative, cutting-edge and specifically created for the context of the fair—takes the public on a surprising journey through the latest forms of experimentation in the field of performance. 

New framesworks; new visions within gallery booths
Unprecedented fresh attention will be given to the New Entries section devoted to young galleries, which for the first time are presented together on a main axis of the fair, along its entrance. Furthermore, joining the traditional Main Section and Art Editions, a new section called Dialogue features specially curated presentations in the booths.

An exhibition space for outstanding art collections
The notion of performativity emerges in the curatorial approach of the 2016 edition of the exhibition project In Mostra. This ambitious show, curated by Simone Menegoi, revolves around the relationship between the human body, gesture and posture, and it includes exceptional artworks from the major public and private collections of the Piemonte region.

Artissima: a supporting fair for art and artists
Once again, Artissima awards six prizes: illy Present Future Prize, Sardi per l’Arte Back to the Future Prize, Promos Scalo Milano New Entries Prize, Fondazione Ettore Fico Prize, Prix K-Way Per4m and Reda Prize for Photography. This underscores the ambitious and visionary approach of Artissima, reflecting the tangible commitment and support of artistic research from the fair’s generous partners.

A place for reflection on experimentation
A talk entitled “What is Experimental?”, curated by Stefano Collicelli Cagol, tests the fair’s pursuit of experimentation. In this talk, a group of curators discuss and debate leading approaches to commercial and non-profit art display. They join the more than 50 international museum directors and curators involved in the fast-paced programming of Artissima: walkie-talkies, guided tours, encounters, juries and awards. 

Collectors’ Extravaganza
Artissima, an awaited event for sophisticated and committed collectors the world over, has increased its area of influence in recent years with an ever-growing geopolitical perspective. The fair is now a platform for global exchange, thanks to the active participation of collectors from Brazil, Peru, Israel, Colombia, the Philippines and Eastern Europe, besides the traditional important presence of American and European collectors. Acknowledged as the fair of discovery and rediscovery, Artissima stimulates the most vivid and international exchange, putting Turin on the map as the city of reference for the perceptive art public.

Turin: the most performing city 
Turin has turned contemporary art into its main vocation, becoming an unrivalled cultural gem in Italy. Artissima is rooted in the fertile territory of a city that counts on the serendipitous convergence of great public and private institutions, foundations and collections. It counts on being the cradle of Arte Povera, on the important local curators who are active internationally, on its many exceptional artists, on gallerists as well as visionary collectors who make up its unique yet mysterious identity.

Artissima: a forerunner for the tendencies of contemporary art 
For the fifth year running, Artissima is directed by Sarah Cosulich, who has worked actively on the fair’s development and innovation. Artissima is an unmissable event in the international art calendar because of its high-quality presentations and careful selection of works and galleries, as well as for its ability to introduce new projects and anticipate trends, and for the unprecedented attention it pays to the curator’s role and to experimentation. We look forward to welcoming you this November!

Artissima is a brand of the Regione Piemonte, Città Metropolitana di Torino and Città di Torino; mandated by the three organizations, it is connected with the Fondazione Torino Musei. The 23rd Artissima is staged thanks to the support of the three bodies that own the brand name, together with the Fondazione per l’Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and the Camera di commercio di Torino. Artissima is organised by Artissima Srl, a company established in 2008 to manage the fair’s artistic and commercial relations. 

The event involves the collaboration of:
Main Partner: UniCredit
Partners: illycaffè, K-Way, Lancia Laurentana, Leica, Reda, Fondazione Sardi per l’Arte, Promos Scalo Milano
In-kind Sponsors: GL Events Italia – Lingotto Fiere, Guido Gobino, Sagat
Official Carrier: Gondrand
Media Partners: La Stampa, AD, Vogue Italia

ZONARTE | ARTISSIMA

Fondazione per l'Arte CRT

ZonArte at Artissima 2015

6–8 November 2015



Artissima Fair
Oval Lingotto Fiere
Turin
Hours: noon–6pm

website
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ZonArte is the network promoted and supported by the CRT Foundation for Modern and Contemporary Art, bringing together the Education Departments of leading local institutions devoted to Contemporary Art: Castello di Rivoli—Museo d'Arte Contemporanea, Fondazione Merz, GAM Galleria Civica d'Arte Moderna eContemporanea and PAV Parco Arte Vivente, in collaboration with Cittadellarte—Fondazione Pistoletto and Fondazione Sandretto Re Rebaudengo. Now in its sixth edition, the ZonArte project assesses and renews its agenda, consolidating its original identity and vocation to develop efficient models of cultural involvement, which it does by presenting art as an experience of knowledge as well as individual and collective growth. The Education Department of the Fondazione Merz is the coordinator of this year's edition, which is dedicated to reviewing what has been done so far while detecting new possibilities to develop actions that are essentially aimed at acknowledging the social value of art. The purpose behind the 2015 ZonArte project's program of activities has been defined by the will to bring attention to the educational role that museums play and give substance to a training process, which involves young students and graduate students from the Fine Art Academies and Universities. Combining theoretical, analytical and self-reflexive aspects with other more practical ones based on hands-on experience, ZonArte 2015 has organized a conference on the socio-cultural and educational role of contemporary art institutions, along with a workshop that will be followed through at Artissima Fair, where all visitors are invited to attend a series of actions, talks and discussions on the value of knowledge, experience and the relationships associated with the artworks. "Education as a Social Landscape" is the title of the conference that was held at the Fondazione Merz on October 8 and 9, through which the ZonArte network reflected upon the educational role as a democratic basis for the contemporary museum, looking into the reality of art institutions in relation to their ability to involve and include the public. The two-day event brought together Cesare Pietroiusti, Abdelkader Damani, Valeria Graziano and Giorgio de Finis. The results of this discussion will be further investigated at Artissima during talks with other art experts, including Marco Scotini, Piero Gilardi, Ugo La Pietra and Gianni Pettena. L'opera irraggiungibile. Esposizione di opere attraverso la narrazione, con molteplici dispositivi (The Unreachable work of Art, Exhibition through narration) is the title of an exhibition project that originated from the workshop led by artist Cesare Pietrioiusti. Using the investigation of the nature of the work of art as its starting point, the workshop allowed a group of young students to explore the specific scope of museums, where the issues of education and training overlap with those of accessibility and relationship with the public. Pursuing the work carried out in collaboration with Cesare Pietroiusti, ZonArte 2015 presents its project L'opera irraggiungibile at Artissima, offering its visitors a series of events where the young adults involved in the workshop will try to make manifest what cannot be actually shown. In fact, for this particular exhibition—the term "exhibition" used here not only in the sense of display, but also in the sense of manifestation and demonstration—the intention is to discuss works that can be defined as unattainable, either because they are literally inaccessible or because of their own intrinsic inaccessibility. Contact Fondazione Merz, Education Department: edu@fondazionemerz.org / T +3901119719792

ARTISSIMA 2015

Design: Tassinari/Vetta.

ARTISSIMA


6–8 November 2015
Preview and opening: 5 November

Oval, Lingotto Fiere
Torino

info@artissima.it

www.artissima.it


Renown for its focus on research and experimentation, Artissima 2015 is about to start: 207 selected established and young galleries from 31 countries; three curated sections, including 20 Present Future solo shows by emerging artists; 25 Back to the Future booths dedicated to the rediscovery of the decade '75–'85; and 12 surprising live actions in the Per4m section. This year, over 50 curators and museum directors are contributing to the fair's programme while collectors become active participants.

Collectors involved in the fair's projects:
Renato Alpegiani, (Juror of the Fondazione Ettore Fico Prize)
Pedro Barbosa (Speaker of the Walkie Talkies programme)
Corrado Beldì (Speaker of the Walkie Talkies programme)
Gil Brandes (Speaker of the Walkie Talkies programme)
Josef Dalle Nogare (Speaker of the Walkie Talkies programme)
Vittorio Dapelo (Speaker of the Walkie Talkies programme)
Giorgio Fasol (Juror of the Prix K-Way Per4m)
Gabriella Martino  (Speaker of the Walkie Talkies programme) 
Carlos Marsano (Speaker of the Walkie Talkies programme)
Maurizio Morra Greco (Juror of the illy Present Future Prize)
Lorenzo Paini (Juror of the Sardi per l'Arte Back to the Future Prize)
Maurizio Rolando (Speaker of the Walkie Talkies programme)
Philip and Rosella Rolla (Jurors of the Reda Prize)
Ronald Rozenbaum (Speaker of the Walkie Talkies programme)
Patrizia Sandretto Re Rebaudengo (Juror of the Promos Scalo Milano New Entries Prize and speaker of the Walkie Talkies programme)
Alain Servais (Speaker of the Walkie Talkies programme)
... and many more 
  

Curators involved in the fair's projects:
Pierre Bal Blanc, Documenta 14, Kassel (Juror of the Promos Scalo Milano New Entries Prize and speaker of the Walkie Talkies programme)
Daniel Baumann, Kunsthalle Zürich, Zurich (Juror of the illy Present Future Prize)
Ilaria Bonacossa, Museo d'Arte Contemporanea Villa Croce, Genova (Speaker of the Walkie Talkies programme)
Sabine Breitwieser, Museum der Moderne Salzburg (Juror of the Sardi per l'Arte Back to the Future Prize)
Marie de Brugerolle, independent curator and writer, Lyon (Juror of the Prix K-Way Per4m)
Andrea Busto, MEF – Museo Ettore Fico, Torino (Juror of the Fondazione Ettore Fico Prize)
Lucrezia Calabrò Visconti, independent curator, Torino (Curator Blog Notes)
Stefano Collicelli Cagol, Trondheim Kunstmuseum (Curator of In Mostra exhibition)
Luca Cerizza, independent curator, Milano and Berlin (Speaker of the Walkie Talkies programme) 
Jacopo Crivelli Visconti, independent curator, Sao Paulo (Juror of the Promos Scalo Milano New Entries Prize and speaker of the Walkie Talkies programme)
Florian Ebner, Museum Folkwang, Essen (Juror of the Reda Prize)
Silvia Fanti, Xing, Bologna (Juror of the Prix K-Way Per4m)
Eva Fabbris, independent curator, Milano (Member of the Back to the Future Committee)
Luigi Fassi, steirischer herbst, Graz (Member of the Present Future Committee)
João Fernandes, Museo Nácional Centro de Arte Reina Sofìa, Madrid (Member of the Back to the Future Committee)
Elena Filipovic, Kunsthalle Basel (Member of the Back to the Future Committee)
Francesco Garutti, independent curator, Milano (Speaker of the Walkie Talkies programme)
Sophie Goltz, Stadtkuratorin Hamburg (Member of the Per4m Committee)
Fatima Hellberg, Künstlerhaus Stuttgart (Member of the Present Future Committee)
Ana Janevski, MoMA, New York (Juror of the Prix K-Way Per4m)
Lara Khaldi, independent curator, Palestinian Museum Jerusalem (Member of the Present Future Committee)
Christine Macel, Centre Pompidou, Paris (Juror of the Sardi per l'Arte Back to the Future Prize)
Hadas Maor, independent curator, Tel Aviv (Speaker of the Walkie Talkies programme)
Simone Menegoi, independent curator, Milano (Member of the Per4m Committee)
Abaseh Mirvali, independent curator, Berlin and Mexico City (Juror of the Promos Scalo Milano New Entries Prize and Speaker of the Walkie Talkies programme)
Letizia Ragaglia, Museion, Bolzano (Juror of the Fondazione Ettore Fico Prize)
Cristiano Raimondi, NMNM Nuveau Musée National de Monaco (Speaker of the Walkie Talkies programme)
María Inés Rodríguez, CAPC Musée d'Art Contemporain de Bordeaux (Juror of the Sardi per l'Arte Back to the Future Prize)
Dieter Roelstraete, Documenta14, Kassel (Juror of the illy Present Future Prize)
Beatrix Ruf, Stedelijk Museum, Amsterdam (Member of the Back to the Future Committee)
Alberto Salvadori, Museo Marino Marini, Firenze (Juror of the Fondazione Ettore Fico Prize)
Chris Sharp, independent curator, Mexico City (Member of the Per4m Committee and speaker of the Walkie Talkies programme)
Natalia Sielewicz, Museum of Modern Art, Warsaw (Member of the Present Future Committee)
Nicolas Trembley, independent curator, Paris and Geneva (Speaker of the Walkie Talkies programme)
Fatos Üstek, independent curator and writer, London (Member of the Present Future Committee)
Marianna Vecellio, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino (Curator Rachel Rose: illy Present Future 2014 Prize Exhibition)
Maurizio Vetrugno, independent curator and artist, Torino (Curator Opium Den)
Andrea Viliani, MADRE Museo d'Arte Donnaregina, Napoli (Juror of the Fondazione Ettore Fico Prize)
Eva Wittocx, M-Museum, Leuven (Speaker of the Walkie Talkies programme)
Francesco Zanot, Camera–Centro Italiano per la Fotografia, Torino (Juror of the Reda Prize) 


More to discover:
Opium Den 
A fully fledged curatorial project—the first of its kind for an art fair—the VIP Lounge will turn into an "opium den," offering an immersive and sumptuous aesthetic experience, an artist's visual essay, and intertwining suggestions, collections, images and visions.

In Mostra
A true museum exhibition within the fair, In Mostra brings together outstanding art from the contemporary collections in Piedmont and is constructed around the concept of "inclination" in its literary, scientific, philosophical and political sense.

Torino's art scene
During Artissima, Torino will offer a great number of exhibitions in its museums and institutions, such asTUTTTOVERO, a two-part-show curated by Francesco Bonami at GAM and Castello di Rivoli Museo d' Arte Contemporanea; Rachel Rose: illy Present Future 2014 Prize Exhibition at Castello di Rivoli Museo d' Arte Contemporanea; Adrián Villar Rojas at Fondazione Sandretto Re Rebaudengo; Christian Boltanski: Dopo at Fondazione Merz; Ed Ruscha: MIXMASTER at Pinacoteca Giovanni e Marella Agnelli; Boris Mikhailov: Ukraine at Camera (the new center for photography in town); and Vanità Vanitas, a group show at the MEF Museo Ettore Fico.
 

For the schedule of the Walkie Talkies, Meeting Point, and Book Corner, the galleries' list, the artists in Back to the Future and Present Future, and for the Per4m programme, visit www.artissima.it.
 

The event involves the collaboration of:
Main Partner: UniCredit
Partners: Aon, CTA, Girard-Perregaux, GTT, illycaffè, K-Way, Lancia, Lauretana, Leica, Owenscorp, Reda, Ruinart, Fondazione Sardi per l'Arte, Promos Scalo Milano
In kind-sponsors: Artsy, Cappellini, CarloAngela, FR Costruzioni, GL Events Italia - Lingotto Fiere, Halifax, Inkiostro Bianco, Kartell, Lago, Moret, Poltrona Frau, Sagat, Zaini Milano
Official Carrier: Gondrand
Media Partner: La Stampa
Media coverage: SKY Arte HD


ARTISSIMA is a brand of Regione Piemonte, Città di Torino and Città Metropolitana di Torino. ARTISSIMA is organised by Artissima srl, a company founded in 2007 to manage the fair's artistic and commercial relationships. It is owned by Fondazione Torino Musei, established by the City of Torino to support, manage and enhance the artistic and museum-based heritage of the city. The 22nd ARTISSIMA is being put on with the support of the brand-owning authorities, jointly with Fondazione per l'Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and Camera di commercio di Torino.

ARTISSIMA 19 | TURIN 9-11 NOVEMBER 2012

Artissima 19

9–11 November 2012

Preview and opening: 8 November

Oval – Lingotto Fiere, Torino

www.artissima.it

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Artissima 2012 featuring: Main Section – New Entries – Present Future – Back to the Future –
Art Editions – Platform Magazines and Art Books – Art Walks – Art Questions – Collectors’ Focus –
It’s Not the End of the World – Lido

Participating Galleries:

Main Section1/9 unosunove, Roma, Milano; 401, Berlin; A Palazzo, Brescia; Samy Abraham, Paris; amt, Bratislava; Christian Andersen, Copenhagen; annex14, Bern; Artericambi, Verona; Alfonso Artiaco, Napoli; Enrico Astuni, Bologna; BaliceHertling, Paris; BolteLang, Zurich; Bonomo, Bari, Roma; Isabella Bortolozzi, Berlin; Braverman, Tel Aviv; Bugada & Cargnel, Paris; Cardi Black Box, Milano; Carlina, Torino; Charim, Vienna; Circus, Berlin; Continua, San Gimignano, Beijing, Le Moulin; Raffaella Cortese, Milano; Guido Costa, Torino; Crisp, London; Ellen De Bruijne, Amsterdam; Monica De Cardenas, Milano, Zuoz; Massimo De Carlo, Milano, London; Tiziana Di Caro, Salerno; Umberto Di Marino, Napoli; Elastic, Malmö; Konrad Fischer, Berlin, Düsseldorf; Foksal, Warsaw; Honor Fraser, Los Angeles; Fruit & Flower Deli, Stockholm; Gentili, Prato; Green On Red, Dublin; Giacomo Guidi, Roma; Reinhard Hauff, Stuttgart; Hollybush Gardens, London; Andreas Huber, Vienna; Hussenot, Paris; i8, Reykjiavik; IBID, London; In Arco, Torino; Invernizzi, Milano; Kalfayan, Athens, Thessaloniki; Casey Kaplan, New York; PeterKilchmann, Zurich; Klemm’s, Berlin; Krinzinger, Vienna; Laveronica, Modica; Le Guern, Warsaw; Leto, Warsaw; Josh Lilley, London; Lisson, London, Milano; Magazzino, Roma; NormaMangione, Torino; Francesca Minini, Milano; Massimo Minini, Brescia; Monitor, Roma; MOTinternational, London; Mark Müller, Zurich; Nächst St.Stephan / Rosemarie Schwarzwälder, Vienna; Franco Noero, Torino; Lorcan O’Neill, Roma; Opdahl, Stavanger, Berlin; Oredaria, Roma; Francesco Pantaleone, Palermo; Parrotta, Stuttgart, Berlin; Alberto Peola, Torino; Peres, Berlin; Giorgio Persano, Torino; Photo&Contemporary, Torino; Photology, Milano; Piktogram/BLA, Warsaw; Pinksummer, Genova; Gregor Podnar, Berlin, Ljubljana; prometeogallery, Milano, Lucca; ribordy, Geneva; Lia Rumma, Milano, Napoli; S.A.L.E.S., Roma; SAKS, Geneva; Schau Ort. Christiane Büntgen, Zurich; Federica Schiavo, Roma; EstherSchipper, Berlin; Suzy Shammah, Milano; SpazioA, Pistoia; Sprovieri, London; Super Window, Bordeaux;Caterina Tognon, Venezia;  Triumph, Moscow; Tucci Russo, Torre Pellice; Tim Van Laere, Antwerp; Martin van Zomeren, Amsterdam; Federico Vavassori, Milano; Vistamare, Pescara

New EntriesAthr, Jedda; Bendana | Pinel, Paris; Thomas Brambilla, Bergamo; Cole, London; Crystal, Stockholm; Dukan Hourdequin, Paris; Exile, Berlin; Frutta, Roma; Furini, Roma; Jeanine Hofland, Amsterdam; Kolonie, Warsaw; Diane Kruse, Hamburg; Laboratorio, Prague; Emanuel Layr, Vienna; Max Mayer, Düsseldorf; Ani Molnár, Budapest; PM8, Vigo; Jérôme Poggi, Paris; Reception, Berlin; Rotwand, Zurich; Marion Scharmann, Cologne; Schwarz, Berlin; Société, Berlin; JosephTang, Paris; Temnikova & Kasela, Tallinn; Tempo Rubato, Tel Aviv; Torri, Paris; Rachel Uffner, New York; Voice, Marrakech; Works|Projects, Bristol

Solo presentations:

Present FutureMeris Angioletti, Schleicher+Lange, Paris, Berlin; Stuart Bailes, Edel Assanti, London; Stéphane Barbier-Bouvet, Graff Mourgue D’Algue, Geneva; Sam Falls, International Art Objects, Los Angeles; Zachary Formwalt, D + T, Brussels; Rachel Foullon, ltd, Los Angeles; Anna K.E., Figge von Rosen, Cologne, Berlin; Lee Kit, Vitamin, Guangzhou; Emil Michael Klein, Gaudel de Stampa, Paris; Basim Magdy, Newman Popiashvili, New York; Alexander Massouras, Skylight, New York; Kaspar Müller, Francesca Pia, Zurich; Jenny Perlin, Simon Preston, New York; Naufús Ramirez-Figueroa, Proyectos Ultravioleta, Guatemala City; Matheus Rocha Pitta, Sprovieri, London; Vanessa Safavi, Jennifer Chert, Berlin; Daniel Steegmann, Mendes Wood, Sao Paulo;Santo Tolone, Limoncello, London; Nick van Woert, Yvon Lambert, Paris; Molly Zuckerman-Hartung, Kadel Willborn, Karlsruhe

Back to the Future            Guglielmo Achille Cavellini, Wunderkammern, Roma; Hanne Darboven, Crone, Berlin; Mario Davico, Bianconi, Milano; VALIE EXPORT, Charim, Vienna; Piero Fogliati, Gagliardi, Torino; Poul Gernes, Bo Bjerggaard, Copenhagen; Jarosław Kozłowski, Profile, Warsaw; Maria Lassnig, Barbara Gross, Munich; Arnold Odermatt, Springer Berlin, Berlin; Gina Pane, L’Elefante, Treviso; Walter Pfeiffer, Sultana, Paris; Józef Robakowski, Profile, Warsaw; Roman Signer, Häusler, Zurich, Munich; Keith Sonnier, Häusler, Zurich, Munich; Vittorio Tavernari, Massimo Minini, Brescia; Erwin Thorn, Georg Kargl, Vienna; Franco Vaccari, P420, Bologna; Josip Vanista, frank elbaz, Paris; Constantin Xenakis, Kalfayan, Athens, Thessaloniki

Art Editions:GDM, Paris; ICA, London; Other Criteria, London; White Columns, New York; Whitechapel, London

Selection Committees, Curatorial Boards, Prizes:

Main Section and New Entries Selection CommitteeDaniele Balice, BaliceHertling, Paris - Isabella Bortolozzi, Galerie Isabella Bortolozzi, Berlin - Mario Cristiani, Galleria Continua, San Gimignano, Beijing, Le Moulin - Casey Kaplan, Casey Kaplan, New York - Peter Kilchmann, Galerie Peter Kilchmann, Zurich - Norma Mangione, Norma Mangione Gallery, Torino - Gregor Podnar, Galerija Gregor Podnar, Berlin, Ljubljana

Back to the Future Curatorial CommitteeJan Hoet – Vasif Kortun – Joanna Mytkowska – Vicente Todolí

Present Future Curatorial CommitteeLuigi Fassi (Coordinator) – Erica Cooke – Fredi Fischli – Inti Guerrero – Sarah Rifky

illy Present Future Prize JuryMatthew Higgs – Beatrice Merz – Gregor Muir – Beatrix Ruf

New Entries Guido Carbone Prize JuryRodrigo Moura – Nicolaus Schafhausen – Hamza Walker – Laura Viale

ARTISSIMA, a brand owned by Regione Piemonte, Provincia di Torino and Città di Torino, is managed by Fondazione Torino Musei. With the support of: Camera di commercio di Torino, Compagnia di San Paolo and Fondazione per l’Arte Moderna e Contemporanea CRT.
Main Partner: UniCredit
Partners: illycaffè, Lauretana, Lonmart
In kind Sponsors: Fiat, Lago, L’Eclettico, Robe di Kappa, Tisettanta