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26.2.09

PEOPLE BETWEEN CULTURE AND NATURE | MONA KUHN



Working with a selective focus, Mona Kuhn creates dreamlike images. 
Oftentimes they are out-of-focus photographs of people, rapt, as if it were 
a different world from the one we perceive when awake. Pictures of the soul. 
At the very least, they awaken the desire to be one with oneself and nature. 
The philosophy of classical antiquity knew only one word for nature and the 
essence of the human being. Even today we speak of human nature and we 
long for our true nature. Perhaps this is what drives us all throughout life, 
makes us change professions and partners until we live according to our 
true nature. Perhaps this is what fills us with a sense of discomfort about our 
mechanized western society marked by rationality. This might be what drives 
people to the beaches of southern France to vacation in the nude. Mona Kuhn 
has photographed people there and captured their desire to live in unison with 
their own true nature. So far she has taken black and white as well as color 
pictures of more than 50 people in France.





























Although a number of them do not want to have their pictures displayed in an exhibit 
or published in a book. „They are very shy,” Mona Kuhn explains. 
However, that might change. „After a few years they give consent to the publication.
” The work is a continuous process. She says that in France, friends whose pictures 
she has already taken will recommend her to their friends and cousins. And in this way 
she creates again and again new studies of the shapes of human bodies in black and 
white or the dream-like images in color. The first kiss of a couple for instance, getting 
back together after a crisis. One can see only their silhouette, seated on the sofa in a 
vacation home, flowers on a table nearby. Relief spreads internally, salvation. As if at 
the moment of waking up, with the images of the night, the last dream, taking shape in 
one’s imagination and the thought: Oh my goodness, fortunately it was only a dream. 
A dream that only arises in the eye of the beholder fading away from the couple out of focus. 
It’s this distance to the soul of the people photographed that makes the difference between 
the images of Mona Kuhn and Jock Sturges who likes to portrait nudists at the beach of 
Montalivet as well. Sturges photographs are somehow dealing with the same subjects as 
Mona Kuhns and they inspired here. But Jock Sturges is interested in revealing something 
from the inside of his models and himself, in revealing the relationship between the 
photographer and the boys and girls, the men and women photographed in a nature 
surrounding. In the images of the californian artist nature is a very present symbol as 
Kuhns art is about cultural questions.





























Mona Kuhn was born in 1969 in Sao Paulo, Brazil, the daughter of German parents. 
She studied at Ohio State University in the United States. In 2004 she published her 
book of photographs “Photographs” followed by “Evidence” in 2007. In fall of 2009, 
Steidl will publish the book “Native“with pictures from Brazil. Monika Kuhn is represented 
by six galleries in the United States and in Europe.
Translation by Inge Meinzner


all images © Mona Cuhn

20.2.09

MARINA ABRAMOVIC - ULAY | RELATION WORK 1976-1979

Relation Work, 1976-1979: 14 performances

Contents: Relation in space -- Talking about similarity -- Breathing in, breathing out -- Imponderabilia -- Expansion in space -- Relation in movement -- Relation in time -- Light/Dark -- Balance proof -- AAA-AAA -- Incision -- Kaiserschnitt -- Charged space -- Three.
Performance art pieces illustrating art in confrontation with life and the individual versus the universal by early performance artists, Ulay and Marina Abramovic. 1996. 148 min.

violent. infuriating. hypnotic. arresting.
the isprobably the single most important collection of historical performance art
quality is acceptable. 14 performances.
2 1/2 hours long


















all images © M. Abramovic - Ulay

13.2.09

WONDERMENT


Watkins-Cape-Horn-near-Celismall.jpg

The Portland Art Museum's latest show, Wild Beauty: Photographs of the Columbia River Gorge, 1867-1957, is more than just an exhaustive photographic history of the Columbia River Gorge, it is a bittersweet reminder of the fragile beauty of even the most rugged environments. The show's message comes across as if one were watching an unbiased world news program presented in a straightforward manner, as a chronicle of time passing into memory.
Posted By Alex Rauch On December 05, 2008 At 9:25 | Comments (0)
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FRIDAY 11.21.08
The Eye of Science: Brought to Light at SFMOMA by Bean Gilsdorf
Schnauss_elektrographieeiner.jpg
Hermann Schnauss, Electrograph of a brass wire gauge,
1900; Albumen print; 6 x 4 5/16 in.


Imagine this: the world is new again. Photographs report the actuality of a novel universe, revealing truths about the environment heretofore unimagined. A formerly skeptical population is now awed, and hungers for images of phenomena previously hidden from sight, because seeing is both knowing and believing.

One could ask why a modern art museum would exhibit a group of scientific photographs from the mid- to late 1800s, but Brought to Light answers with an unusual exhibition that highlights the power of curiosity and experimentation... (more)