Labels

303 GALLERY AGE OF AQUARIUS AI WEIWEI ALDO MONDINO ALIGHIERO BOETTI ALLORA & CALZADILLA AMSTERDAM ANDREAS GURSKY ANDREAS SCHON ANDY CROSS ANDY WARHOL ANISH KAPOOR ANNE IMHOF ANSELM KIEFER ANTON CORBIJN ARNDT ARNOLFINI ART PROSPECT ARTISSIMA ARTIST BOOK ATTILA CSORGO BALI BARBARA KRUGER BARCELONA BASEL BASQUIAT BEATRIX RUF BELA KOLAROVA BENJAMIN DEGEN BEPI GHIOTTI BERLIN BERND E HILLA BECHER BETTY WOODMAN BIENNALE BORIS MIKHAILOV BRISTOL BROOKLYN MUSEUM CAI GUO-QIANG CAMILLE HENROT'S CANDIDA HOFER CARDI GALLERY CARL ANDRE CAROL RAMA CAROLEE SCHNEEMANN CARSTEN HOLLER CASTELLO DI RIVARA CASTELLO DI RIVOLI CATHERINE AHEARN CENTRE POMPIDOU CHARLES RAY CHARLINE VON HEYL CHICAGO CHRIS BURDEN CHRIS WATSON CHRISTIAN BOLTANSKI CHRISTIE'S CHTO DELAT COLOGNE CONCEPTUALISM COPENHAGEN COSMIC CONNECTIONS CRISTIAN BOLTANSKY CY TWOMBLY DAMIEN HIRST DAN GRAHAM DANH VO DANIEL EDLEN DANIEL RICH DANNY MC DONALD DAVID ZWIRNER DIA ART FOUNDATION DIET WIEGMAN DIETER ROTH DOCUMENTA DUBAI DUSSELDORF ED ATKINS EDEN EDEN ELGER ESSER EMILIO ISGRO' ESKER FOUNDATION ETTORE SPALLETTI EVA HESSE EVA PRESENHUBER FANG LIJUN FAUSTO MELOTTI FELIX GONZALES-TORRES FILIPPO SCIASCIA FONDATION BEYELER FONDATION CARTIER FONDAZIONE MERZ FRANCESCO BONAMI FRANCESCO POLI FRANCESCO VEZZOLI FRANCIS BACON FRANKFURT FRANZ KLINE FRIEDMAN GABRIEL OROZCO GABRIEL YARED GAM GARY ROUGH GEORGE BURGES MILLER GEORGE HENRY LONGLY GERHARD RICHTER GILBERT & GEORGE GIULIO PAOLINI GLADSTONE GALLERY GREENE NAFTALI GUENZANI GUGGENHEIM GUGGENHEIM BERLIN GUGGENHEIM BILBAO GUILLAUME LEBLON HAMBURG HAMBURGER BAHNHOF HAMISH FULTON HANGAR BICOCCA HAUSDERKUNST HAUSER & WIRTH HE XIANGYU HELENA ALMEIDA HEMA UPADHYAY HENRY MOORE HIROSHI SUGIMOTO HOWIE TSUI HUANG YONG PING IAN BREAKWELL ICA ICHWAN NOOR INSTALLATION INTERVIEW ISABELLA BORTOLOZZI ISTAMBUL JAMES LAVADOUR'S ROSE JAMES MELINAT JAMIE XX JANET CARDIFF JANNIS KOUNELLIS JASSIE BOSWELL JEFF KOONS JEPPE HEIN JESSICA WARBOYS JIVYA SOMA MASHE JOAN FONTCUBERTA JOHN BALDESSARRI JOHN MCCRACKEN JOHN STEZAKER JON RAFMAN JORG SASSE JOSEPH KOSUTH JOTA CASTRO JURGEN TELLER KARA TANAKA KARL ANDERSSON KARLSRUHE KAVIN APPEL KONRAD LUEG KUNSTHAUS KUNSTMUSEUM LARRY BELL LIA RUMMA LISSON GALLERY LIU YE LONDON LOUISE BOURGEOIS LUC TUYMANS LUCIAN FREUD LUCIE STAHL LUIGI MAINOLFI LUISA RABBIA MADRE MAM PARIS MARC QUINN MARCO CASSANI MARIA CRISTINA MUNDICI MARIAN GOODMAN MARINA ABRAMOVIC MARIO MERZ MARK LECKEY MARK ROTHKO MARTIN KIPPENBERGER MARTIN McGEOWN MARZIA MIGLIORA MASSIMO DE CARLO MATTHEW BARNEY MAURIZIO CATTELAN MAX SCHAFFER MAXXI MIAMI MIKE PARR MILAN MIMMO ROTELLA MING WONG MOMA MONTREAL MOUSSE MUMBAI MUYBRIDGE NATIONAL GALLERY NEW YORK NICO MUHLY NOBUYOSHI ARAKI NOTTINGHAM CONTEMPORARY NY OFCA INTERNATIONAL OLAFUR ELIASSON OSCAR MURILLO OTTO PIENE PACE GALLERY PAOLA PIVI PAOLO CURTONI PARIS PAUL MCCARTHY PERFORMANCE PHILIP GLASS PHILIP-LORCA DICORCIA PHILIPPE PERRENO PHILLIPS DE PURY PHOTOGRAPHY PIA STADTBAUMER PIPILOTTI RIST PORTRAITS PRISCILLA TEA RAPHAEL HEFTI REBECCA HORN RICHARD LONG RICHARD SERRA RICHARD T. WALKER RICHARD TUTTLE RINEKE DIJKSTR ROBERT MORRIS ROBERT SMITHSON ROBERT SMITHSON'S ROBIN RHODE ROMA RON MUECK RUDOLF HERZ RUDOLF STIEGEL RUDOLF STINGEL SAM FRANCIS SANTIAGO SERRA SARAH SUZUKI SCULPTURE SHARJAH BIENNAL SHIGERU TAKATO SIMON THOMPSON SOL LEWITT SOPHIE CALLE SPY STEDELIJK MUSEUM STEPHAN BELKENHOL STEVE MCQUEEN STEVE REINKE SUBODH GUPTA SUSAN PHILIPSZ TALA MADANI TATE BRITAIN TATE BRITIAN TATE MODERN TERESA MARGOLLES THADDAEUS ROPAC THE RENAISSENCE SOCIETY THOMAS EGGERER THOMAS HIRSCHHORN THOMAS RUFF THOMAS SARACENO THOMAS STRUTH TIM FAIN TOBIAS ZIELONY TOM FRIEDMAN TONY COKES TONY CONRAD TONY CRAGG TOO MUCH TOTAH TOZER PAK TURIN TURNER PRIZE UGO RONDINONE UK ULAY VANESSA BEECROFT VENICE BIENNALE VERA LUTTER VICTOR MOSCOSO VICTORIA MIRO VIENNA VIK MUNIZ VOID SERIES WHITE CUBE WHITECHAPEL GALLERY WIELS WILLIAMS PRESENHUBER WU TSANG YAN PEI-MING YANG YONGLIANG YOHJI YAMAMOTO YOKO ONO YUSUKE BENDAI YVES KLEIN ZHANG DAQIAN ZURICH

5.2.16

HAMBURGER BAHNHOF | BERLIN

Photo: Thomas Bruns.


      Hamburger Bahnhof - Museum für Gegenwart - Berlin
2016 exhibition preview 
February 10–August 31, 2016

Hamburger Bahnhof - Museum für Gegenwart - Berlin
Invalidenstrasse 50/51
10557 Berlin
Germany
Hours: Tuesday–Friday 10am–6pm,
Thursday 10am–8pm,
Saturday–Sunday 11–6am

www.smb.museum
Facebook
Julian Rosefeldt. Manifesto 
February 10–July 10, 2016

Julian Rosefeldt (b. 1965) has risen to international prominence above all with his elaborately staged film installations. Manifesto unites 13 films, running in parallel, in one installation. For each film, Rosefeldt has collaged historical original texts from a wealth of manifestos by artists, architects, choreographers and film makers—including Filippo Tommaso Marinetti, Tristan Tzara, Kazimir Malevich, André Breton, Claes Oldenburg, Yvonne Reiner, Sturtevant, Sol LeWitt and Jim Jarmusch. These texts have been abridged and combined to create 13 poetic monologues, which are delivered and embodied by the actress Cate Blanchett in various roles. Through costumes, masks and locations, and above all through her multi-faceted performances, Blanchett transforms herself into figures as diverse as a primary-school teacher, a puppeteer, a broker, a funeral speaker and a homeless person. In the role of these protagonists, Blanchett conveys the topicality of the texts.

The exhibition is made possible by the Verein der Freunde der Nationalgalerie.



Carl Andre: Sculpture As Place, 1959–2010
May 5–September 18, 2016

Encompassing more than 300 works, Carl Andre: Sculpture as Place, 1959–2010 is the largest solo show to date of this major US artist. Carl Andre's oeuvre is presented in works from over five decades: Approximately 50 sculptures, over 200 poems, a group of rarely exhibited assemblages known as Dada Forgeries and a selection of photographs and ephemera allow audiences to trace the historical and aesthetic shifts and evolutions in his artistic production.

From the mid-1960s onwards, Andre pioneered a fundamentally different concept of sculpture. For the artist, sculpture becomes place and thereby redefines the role of the public and its experience of the artwork. On view are a unique selection of Andre's signature floor sculptures made of building and industrial materials, which the artist arranges into grid structures and linear trajectories. Likewise, the poems Andre composed from the 1950s onwards can be understood as a conceptual extension of his sculptures. This body of work forms another focal point of the exhibition.

Carl Andre: Sculpture as Place, 1959–2010 is organized by Dia Art Foundation in partnership with the Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart – Berlin, Staatliche Museen zu Berlin. The international tour of the exhibition is made possible by lead support from the Henry Luce Foundation and the Terra Foundation for American Art. Additional tour support is provided by the Fundación Almine y Bernard Ruiz-Picasso para el Arte; The Brown Foundation, Inc. of Houston; the National Endowment for the Arts; and Sotheby's.



Gülsün Karamustafa. Chronographia
June 10–October 23, 2016

Gülsün Karamustafa (b. 1946) is regarded as one of the most important artists of the second half of the 20th century in Turkey, where her work has exerted a profound influence on younger generations of artists from the 1990s until today. Internationally, her artworks have already appeared in numerous exhibitions. Chronographiaat the Hamburger Bahnhof – Museum für Gegenwart – Berlin is the first comprehensive solo show of Karamustafa's oeuvre presented in a museum context outside Turkey.

Karamustafa's artistic production extends from the 1970s to the present day and encompasses a variety of media, including painting, installation, performance art and video. Migration, politically-induced nomadism, popular culture, feminism and gender are central themes of her work, which also takes a critical look at the Western view of the countries of the Middle East. The exhibition facilitates a dialogue between these themes and thereby highlights the connections that have arisen between them across time, as well as pointing to their relevance to current discourses.

Supported by the Hauptstadtkulturfonds.



Das Kapital
July 2–November 6, 2016

The exhibition revolves around Das Kapital Raum 1970–1977 (The Capital Room 1970–1977) by Joseph Beuys, a whole-room installation which the artist first created in 1980 for the Venice Biennale. This monumental composition is one of the largest environments in Beuys's oeuvre and sums up his artistic work of the 1970s.

During those years a new definition of the term "capital" took shape in Beuys' mind, one going far beyond the bounds of economics. His statement that "Art=Capital" describes the creative process of artistic praxis as an expanded way of thinking. In Beuys' view, art becomes the true capital of humankind only in this expanded sense. He understood the resulting, necessary reform of all social relationships as "social sculpture." The exhibition is devoted to this positive, creative concept of capital and to the work on shaping the future that Beuys accomplished publicly in an unmatched experiment. The same re-evaluation of the concepts of art, capital and money is shown in corresponding works by various artists as well as in artefacts and documents from different epochs.




SMB_NG_Black_sRGB.jpg